London - Moroccan Fine Art is organizing an exhibition at the Coningbsy Gallery, in London, United Kingdom, from 3-8 December under the theme “Finding an equilibrium”. This exhibition showcases the works of two leading Moroccan artists, Salah Benjkan and Nourredine Chater, as well as the up-coming Moroccan artist Karim Attar.Morocco inspires the romantic notion of an idyllic and an exotic life. Ancient medinas, colourful souks, fabulous climate, sun-drenched beaches and hospitable people have transformed the country into a sought-after destination.
Although religious and cultural traditions are still imbedded in the Moroccan way of life, they provide a striking blend between old and new and a platform for artists to work in a friendly and colourfyl environment.
Salah Benjkan
Benjkan associates his imagery with the Moroccan youth and the uncertainty surrounding their cultural and political identity. His childlike, somewhat comical creatures are distinctive features in his paintings. These fabulous beings are painted in bright coloured blotches and invade the white textured canvases. At first glance his playful depictions seem joyous and light hearted; at further exploration one notices a sense of melancholy. The figures are removed from reality, waiting for their destiny.
Nourredine Chater
Chater states that his dynamic letters are the result of his ongoing studies which are influenced by a rapidly changing Moroccan society. His paintings are devoted to calligraphy and filled with gracefully encoded messages. From a distance the letters appear like secret signs. His playfulness with the graph is emphasised by his selection of colours. He is fond of natural hues and chooses vibrant shades for a more contemporary twist. The glyph predominates and symbolises both a point of entry and departure, and is a portal for an exploration of the sublime.
Karim Attar
Attar grew up during a time when his native country experienced cultural transitions and political reforms. One way or another, these circumstances informed his artistic practice. His depictions are dominated by the human form and often portrayed in a transitional state. His painterly depictions are emotionally charged and appear isolated against flat nondescript backgrounds. Torsos, limbs and innards formalise his sculptural language and seem to be born from his painterly mind, whereas his unique performances embody movement and children’s games.Morocco’s media and art world has recognised Karim Attar as one of the most promising talents in the country
The exhibition will run from 3-8 December and is the second of a series of exhibitions hosted by Moroccan Fine Art. For more information visit: www.moroccanfineart.com
